You might recognise the house on the left from the 
              perspective grid drawing I made the other day. This is the view 
              from my studio window of the lower end of Coxley Valley. 
              The image is stitched together from 6 photographs, a feature of 
              my digital camera that I've never tried before. 
            After watching Arden putting his digital SLR through its paces 
              yesterday, I decide to ask my friend David Stubbs, 
              who originally recommended the Canon PowerShot 
              to me (as did a number of other keen photographers), to give me 
              some hints on using mine. I'm ashamed to say that I've been using 
              it - with excellent results - on the 'automatic' setting since I 
              bought it 7 or 8 months ago. 
            David points out that if I wanted just the automatic setting I 
              could have bought myself a cheaper, simpler camera. I chose the 
              PowerShot 5 in part for its macro setting yet I've never got around 
              to reading the manual to find out exactly how it works. 
            David, who is one half of a canoe-building business in Cumbria, 
              tries it out on some of the bits and pieces on the lunch table. 
              The quality is stunning; these reduced cropped details hint at the 
              photographic quality of the full-sized images. In my opinion, it 
              routinely gives better results than I was able to get with my much-loved 
              Pentax Spotmatic, which I've used since student days. 
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